at this point you should know that am/tm is anthony mansfield and tal m. klein. this is their eighth record together. you should probably also know that anthony mansfield has another side project with nick chacona called ncam. in other words, anthony is a collaboratively promiscuous producer who likes to make music with his friends. back to acid is am/tm?s attempt to get the world from uptight and twitching to firmly crooked and messy. coveting a return to the halcyon days of tripped out people melting on the dancefloor and raves in the woods, comes this hard hitting trip with vocals by navid izadi. add sweeping 303s and crunchy 808s.. and well, what more could you ask for in a track called back to acid? on the b-side is an extended ncam remix which ups the bpms and attitude. its a family affair.

fantastic remastered reissue of the highly collectable 1977 original uk ice records release >nobody s got time / timewarp<. produced by eddy grant and performed by the in-house band of his coach house recording studio, side bs groundbreaking instrumental >time warp< is the absolute must-have here. this deep and minimal track takes you on weird reggae-tinged psychedelic disco journey and is hailed as a seminal early proto-house classic popular in chicago as well as being huge in ny at mancusos loft, paradise garage etc. with its unmistakable falsetto riff, tweaky synths and a walloping bassline, this truly is a timeless electronic weapon! side as >nobodys got time< is more of the same but layered with eddys great gravelly soulful caribbean vocals - super funky. do not miss this!

vital elements and ruffride hit you with two mixes of >want some more< which has been the selectas choice. on the a side you are treated to a drum and bass mix and on the flip a dubstep mix.

spinline drop another all round killer release on dispatch ... and on the flip of this release they give us something special via the labels for non-d&b outing! on the a side sees heavy hitting >darpa< which features that distinct spinline sound the guys are known for and on the aa we have something completely alternative in the downtempo, dark and moody offering >monday luv<, the tracks a real dip into unfamiliar territory for us being its a 140 number however once we heard it we just had to sign it, enough said! huge support on this release from the likes of: friction, ant tc1, icicle (on rince 19 cd), doc scott, octane & dlr, skeptical, zero t, vivek, youngsta, jubei, safire, kasra, nymfo, hydro, dj madd, jack sparrow, ruckspin, author.

vinyl sampler for cd 13! lucky thirteen! dj hell presents the thirteenth edition in the long running compilation series of international deejay gigolo records.side one contains a welcome revisit of the 1990 classic hell or heaven by l.u.p.o.on the flip there is adriano patanes dance floor filler en memoria a santiago.

dark robot electro on side a by q-chip, reminiscent of old dopplereffekt, and sinister film noir soundtrack electroscape music on side b by cestrian.

following last years acclaimed curse of soft rocks album, were invited to revisit said masterpiece from an alternative entry — a robust compilation of remixes. each track is wildly re-contextualized leaving us with a beautifully obtuse yet complimentary rendering. personnel employed vary in style and technique drastically, but such is the ethos of soft rocks, and furthermore the esp institute. at the end of the day, we implore you to shut up and listen. on this 12inch (the second of 3 surrounding the revenge of soft rocks remix album) esp mainstays cos/mes deliver a deep and sensual yet sinister take on little lights, and side b reveals an upbeat dubbed out version of wicker man by zurichs own lexx (running back, permanent vacation, leng) good lord this is quite a piece of wax!

rare earth was an american r&b / rock band affiliated with motowns rare earth record label (which was named after the band), who prospered in 1970–1972. the core of this album is the side-long monster version of >get ready<. the epic song features various solos, and the snake-charmer sax improv by gil bridges is easily the highlight of the album. however, the rest of the album is just as astonishing.
180 grams audiophile vinyl pressing.

excellent groovin minimal dubby techhouse monster

this third outing expands further the mosso musical range, presenting alejandro mosso in some of his most rhythmic and yet, dreamiest atmospheres. unlike mosso002, which got the producer to hunt in his forgotten documents, both airs present on this record have been impetuously developed over the last few months. on the a-side, pleamar is a driving number which boots with a hypnotic metallophone pattern, slowly giving way into a electro (rga)nic piano fest, which in turn twists itself into bent, crushed and perverted synth whistles. this a-side has been designed keeping the lower half of the body in mind, offering full waves of joy and jubilation! now that you are grounded enough, how about flipping that record and meeting us on bajamar - low tide, litterally. on the shores of this b-side is where a wonderful landscape of shimmering spray and glistening stars await you. here again alejandros ability to bring together biotic and mechanic in a homogeneous unity is best revealed. in a magical tour de force, bajamar sends tingles from the base of your heels, up and all along your spine, into your crown, triggering instant wonder, reveries and realisations.

boston beat boi tanner ross is finally back, with another embodiment of his signature take on future efunk. ranging from creamy nostalgic r&b featuring pillow talk, slow hands and jesse rennix to tripped out weirdness in collaboration with lonely c and 80s synthesis romance with jules born, the straight to the moon ep on double standard will take you from palm-fringed miami sands to deep outer space. across five originals (side a and b on pure white 10?) and two instrumentals, tanner ross once again casts his sonic spell with a master class in originality with support from select members of the wolf + lamb collective, having already made his artistic footprint on labels land no.19.

qepo is back with a really cool release from the young talent gianluca luisi, 2 super energy tracks and on the b side a huge remix from neapolitan duo tony matt & sasha carassi..

big number 10 for the globox label, 2 hot tracks from the neapolitan talent phutura, on logo side you ll find blue marlin remixed by delete and francisco allendes. already played by gregor tresher, bart skils, mihalis safras, anthony collins and more

steve bug drops a new outstanding 12inch on his own highly prolific poker flat recordings. those grooves is the perfect primer for his upcoming album (due out in autumn 2012), and sees the man in fine form - masterfully in control of his sound and producing tracks with a depth of dancefloor knowledge most other producers would die for. those grooves, the lead track locks into its exquisitely crafted groove early on, holding a taut balance between its individual elements. mid way through its 10 minutes, bug drops the tempo and lets the groove breath, before bringing it all back home - an audacious late night club weapon. the flip side is no less dramatic – tell me why creeps up, evolving slowing but surely – before an edgy, freaked out bass line drops over the crisp drums. a true peak time burner with enough energy and tension to smash any floor.

coloured vinyl bomb alert! hrdvsions prettier than that is a monster,created by a monster and is perfectly suited for the likes of wagon repair. dim the lights, because when this record drops its going to get freaky! on the flip side, midnight operator (the duo of mathew jonson and hrdvsion) bring the noise! dangerous behaviour rains bass in your face! if you caught their live show on boiler room recently then youll understand. these two are ready to take the dance floors by storm this year - a melding of the analog and digital minds.

full colour art and comes with a download code! dancefloor ready two track 12inch from krystal klear on all city! second time out on all city for krystal klear following on from his recent excursion on eglo, he ups the pace on this one giving us a two track 12 with a french house feel. the a side >were wrong< is a piano led house explosion with chopped vocals and hypnotic boogie grooves. combining with the flipside from the start - an infectious filter house slow builder – to make this the most dancefloor friendly record weve released. dj / press: capracara (dfa/soul jazz): love those old school house vibes!

for the next outnl we prepared a package with 2 of our favorite artists of the moment. on the a side we have a track by glaswegian james johnston who has had an immense year with releases on labels such as fine art, under the shade and boogie originals. we are very pleased that james decided to release his deep burning that was now on outernational. on the b side we find ben la desh. who returns to outernerational with the breezy but ferm drug carrier. while his previous release doctor bills is still making its round through the clubs and podcasts. we are sure drug carrier will even turn more heads.

this new ep on vinyl dogboy kiosk eclectic records, shows two facets of this parisian producer. it transports us into his personal electronic music and festive first dogfunk, a punchy front, dance floor and groovy, this piece makes us dance on the funky bass music. on the other side bad dog, dogboy delivers here a deep bass music, relentless volatile and planing. yoshh! for its 22nd output, kiosk eclectic is glad to welcome a new comer on its wax series, the so called dogboy. the parisian based producer unleashed there 2 angles of his work. 4x4 bassline to start with a side, and its excellent efficient bassline groovy attitude. featuring the flip, were on a more glitchy & atmospheric level with a nice upfront dubstep tune

fourth album showcasing a stunning new progression in sound for the acclaimed london trio.

this monterous techno anthem is oscillating between n.cuer usual minimal style and physical records fearsome atmosphear, develloping with a huge leads and squeaky sounds, undoubtinglys been prepared to set fire on the floor. as for b side, we get two remixes made by the label co-owners and main artist mik zif and midwooder. the first is drilling deeper into darkness with a proper physical techno rave style rmx. when the second is digging deeper into minimal techno, bringing the original tunes a bit more of deepness, while still keeping it ultra dancefloor efficient. definitely about to make a lot of noise in the techno scene this year and further, overload destruction and its remixes appears to be unmissable titles for any minimal and techno sets!

the final track of this release is an unusual track with at least an unusual name intelligent gum, which took a worthy area of the second side of vinyl. first of all, this track is remarkable duration of sound. despite the fact that it’s track so long lasting, but this it wants to listen again and again! it is quite hypnotic. soft as wadding and tasty as a chocolate with a delicious taste of liquor. in the course of listening you will find a lot of mystery and surprises for you, just enjoying the taste of chocolate with liquor.

early big support by hanne & lore, aka aka, gabriel le mar, claude von stroke, d. diggler, raycoux jr., playane, tobsen graale, alex rath, rob slac, summer and many more!
first release of this upcoming deep and tech house label. after some succesful vinyl releases on oliver schories label turnbeutel and subotnik, clark davis release his >tulpenbluete< with a big remix by andre kronert (e.g. ostwind) on vogelfrei.
on the other side chris noise shows his talent with his track >shadow from the sun<. his friend ingo boss from cocoon remixes this nice track.

big with: dubfire, tobi neumann, reboot, sascha dive, matthias tanzmann, karotte, robert dietz, joris voorn, monika kruse, livio & roby, pirupa, leon, tripmastaz, ilario alicante, slam, shinedoe, pele, m.in, federico molinari, lauhaus, h2 and many more... two young talented guys from spain, giving their debut on cécille. after releases and remixes on 8bit, amam, brise and kling klong the two friends and partners miguel lobo and ramiro lopez spend three tracks on cécille numbers. timba comes with a massive moving beat and a fancy interruption sound. the lady on coming hard tells you her story and plans and letters from the other side is catching you with an easy melody and groove like a chilling summer pre warmup heater hope you like and play numbers

mladen solomun, diynamic label head and man of the moment is presenting his kackvogel (shit bird) as the teaser for his forthcoming watergate11 mix compilation, which will be released late june. this bird with the exclusive naming is a slow-mo funk monster in fine solomun style and right here for the start of the summer season 2012. the first 500 copies are coming with a full size etching of his watergate compilation artwork on the b-side!

smith & mudd are back in fine style on claremont 56, following up their excellent lp with this great double header! >sauna love< is the lead track, an uptempo, string laden boogie house affair with great vibes, bass, strings and punchy percussion all rolling along into the sunshine. on side-b >the surveyor< is a great piece of otherworldly electronic music, coming on like some weird cough medicine induced dream. the bass pulses along with mystery dialogue, light key flourishes and an intent that is delivered about 5 minutes in when the kick drops and the whole thing shifts into a latenight, alt disco bomb.

180 gram double vinyl with etching on side d. housed in a gatefold sleeve.
twist has become a dark romantic album, sultry and ghost-ridden, the ultimate soundtrack of the night.

the third split 10 inch from deeplabs and revival records. the deeplabs side is a raw detroit techno cut transition by martin muller (aka youandme). the revival side is ms612 by dario zenker (harry klein records), a deep and forceful techno groover with a moody bassline.

for world unknown 6 weve headed up north for a newcastle double header. on side w emile strunz delivers some stunning midtempo body music sleaze. on side u the last waltz guys get all subsonic and spacey with lovebites. as youd expect both tracks are pure wu and guaranteed to demolish all proper dancefloors.

with eddie cs previous creation for lets get lost barely out of the barrel of the the labels finely engineered hand cannon we are bombarded with two more selections from the canadian turned berliners seemingly limitless arsenal of secret weapons. masterful re-arrangement as ever ever from the now seasoned producer. side a yields wonderfully quirky balearic vibes while on the flip a horn and string led disco barn stormer reminiscent of a rub-n-tug unknown gem provides what is, for us at least, the highlight of the ep. two very different tracks and a great package all round.

just in time for summer, pampa issued aimlessness, the long-awaited new album from dntel aka los angeles producer jimmy tamborello. his latest electronic suite brought forth stronger leanings toward house grooves, building upon the pop and idm approaches he explored earlier in his career as half of the postal service and a member of figurine - with a healthy dose of pampa otherworldliness on top. now, robag wruhme steps in and recontextualizes two aimlessness cuts for a remix ep. wruhme is already a beloved member of dj koze’s extended family, having released the full-length thora vukk about one year ago, which was deemed another success for both him and pampa” in resident advisors four-star review. first up is robags kloff mottüré mix of bright night, a starry-eyed transformation of dntels work that twinkles like fireflies in the clear midnight sky.with symphonic splashes, playful pitter-patters and a tranquil breakdown, it sounds a bit like teenage toads skinny-dipping amongst the lilypads. next up, robag finds inspiration in dntels jitters,not once but twice: the marf labo mix takes the title quite literally,offering a jittery breakbeat interpretation with a metallic angel chorus swirling over the haphazard beats. finally, on the flip side,the emmens worsch mix brings things more closely aligned with the grooving, heartfelt house thump that pampa has engendered. its the eps most dj-friendly cut, while at the same time showing off robags gentle production touches and letting tamborellos sweet, subdued voice shine through.

plak is really proud to announce monster heart driver debut 12inch.like agoria,the driver is from lyon and has really good taste for raw techno and detroit excursions. the a-side raw as fuck is straight from the mid 90s with a small detour via the year 3000. an analog session recorded on the fly,loud kick, phat toms,oversized nasty hats and a rave gimmick for your head,forget the forward thinking depressive thing,this shit is a perfect big room techno tool,you gonna smile, ance and sweat!on the flip side the path is your late rainy sunday companion, it will show you the road off detroit,ur and shakir are at the corner,to bristol dubby thing unreal excursion that worth the trip.welcome home m0nster heart driver!

coming up on claap we welcome a new name on the label.bodj is an upcoming producer from athens (gr).a fresh face in the scene, bodj has already had a couple of releases under his belt and caused some serious heat with his blisters ep back in 2010!every day is an easy and very classy house cut. quite emotive with flowing rhythm patterns,it is an ode to every day lovin!on the remix duties,these days afficionado and man of the moment argy takes the track into a sweatier territory with his nyc dub mix.while, the love mix explores a more romantic side of the original track.label head gummihz rounds up the package with a bubbly night fever mix.a filtered disco house take,reminiscent of french house in the late 90s.top tip!

this is the debut release of berlin based producer franklin de costa on mule musiq. he has released from some various label like curle or trapez. title track on a side is atmospheric jazzy deep house. if you like the sound of larry heard, you will definitely be into this song. b side is berlin manner dark house tracks. maybe it is for fans of omar s.

for their sixth release, lets play house has headed down under to scoop up australias fantastic man, a second identity of dj/producer mic newman, with which the melbourne-based artist explores—and exposes—another side of his musical and stylistic skills. and the four original songs on the its essential ep most definitely mark a bit of a departure from newmans trademark sounds: he has exchanged the thumping, peak-hour, hands-in-the-air chaos and messiness of hits like 2009s >sizzled sally< for a more refined and subtle breed of deep house.

comeme means a body that gives itself away. everynow and then worldwide heralds of the loony beats, ritmo lunatics and self-styled electronic primitives join in for a nightlife fiction to become reality. this collective fantasy, utterly devoted to the dark side of the mirror ball, keeps a certain wanderlust. so, if you happen to have your globe at hand, let us twist the ball around and spotlight the places of comeme, episode 15.

ltd 2012 repress ... incl stunning joris voorn rmx!! new york city based dj/producer/remixer/ harry choo choo romero brings us his debut single release on ovum. harry has been on board for remix projects on the label, but it is finally time for him to unleash a monster single on the label. on the a side, harry brings us >phuture<, which is a main room monster. this has been josh winks secret weapon for sometime and now it is available to you. built around a computerized female vocal, harry shows why he is the master of a driving groove. this driving track should destroy any dance floor. on the b side we have enlisted label friend joris voorn for the remix. joris has taken an already big sounding track and added a turbo charger. the remix is a complete roller and joris has taken a dubbed out approach with it, but still keeping the main build vocal. two great tracks that should be rocking all the festivals and ibiza all summer as the 15 years of ovum celebration continues on

2012 repress !! after the incredible success of agarics >who made up the rules< , we come to you with this amazing remix ep. on the a side josh wink is onboard to remix the title track >who made up the rules<. this is vintage wink, pumping and building as only josh can. on the b side we enlist the skills of axel boman who takes the hypnotic >get off my mind< and makes it a funky house jam. two amazing remixes of two incredible tracks that should be heard throughout the summer season

140 gramm vinyl. alex agore and tenderpark - it just had to happen. although alex is not all soft and tender, above his tuff and powerful garage beats it’s all sweetness. with his sugary chords and piano hooks as well as heavenly soul vocals alex demonstrates his deep love for harmonic richness and melodic sensitivity. a passion for the soulful side of house and a soft spot for pop - that’s what alex and tenderpark share and what makes them a perfect team. and a little bit of relaxed instrumental hip hop is the icing on the cake of this record and another joint love between the two.

the third dub chronicles vinyl with another two great hypnotic dub flavoured techno tracks

killekill herewith announces the start of a sub label focussing the housier side of what we like. killekill house trax starts with the release of a great track by alex cortex. quite uptempo but groovy as hell oh yeah comes along with a strong reminiscence to classic chicago house with its strong bassline and the catchy vocal sample. tyree cooper added a simple but well working piano and packed the original into an even more classic outfit. oh yeah!

semtek leaves the comfort of his excellent dont be afraid imprint to supply the third 12 inch on andy blake s in plain sight label, following stellar turns from youngtee and maarten van der vleuten. its not the first time blake has called on the london-based producers services - world unknown devotees will remember the monolithic >tacos for dinner< cut in association with chardonnay that appeared on that labels most recent 12 inch. >couer de lyon< is a chunky house jam of the highest order, shuffling hats, a stripped back bassline and a vocal many of you will recognise from one of mks most legendary remixes combine for a cut that overflows with sultry late night passion. flip over for some soundtracky house in the shape of >beaufort<, an analogue jam in the mould of legowelt that retains a club-ready potency and thus offers a more heads-down alternative to the a-side.

double ten inch pack edition of the debut release from love interest, a newly minted label from the juno records enclave. minneapolis based electroboogie crooner nyteowl has been handed the honour of the debut release with the prince-leaning >love of mine<, and this edition features remixes from both brassica and astro chicken founder hyboid. given the nature of their output, both are perfectly placed to tease out the nuances of a 80s referencing electronic soul track and brassica in particular excels, extracting gleeful new levels of texture out of the synth sounds with a truly twisted remix. hyboid adopts an outer galactic electro poise reminiscent of his finest output on astro chicken, and if vocals arent your thing, check the b-side of each ten inch slab for instrumental mixes.

following the war cry of their fi rst single >speeddance<,reptile youth return with another sublime 7inch for hfn music.the second single taken from their upcoming album >black swan born white< sees the youth expand their sound towards a grandiose post-punk pop. already a live favourite at their increasingly intense gigs, mads damsgaard kristiansen vocals soar above the funk-driven robo-rhythm, while an instantly addictive melody references their newwave roots.on the b side, londons futuristic psychedelic no-wavers s.c.u.m provide a remix that drenches the vocals in waves of reverb and suspense, before the track explodes into a churning power riff.

brendon moellers long player homage to the spirit of techno works, electric deluxe taps two of the albums polar moments for remixes to deliver work ethics. selecting one of works toughest tracks for the a-side, adjust to the fading light, the ep opens with a rare vocal refix from berghain resident ben klock

the rebirth of cool m=minimal is pleased to release a masterpiece of the early 21st century on vinyl. till the old worlds blown up and a new one is created is an outstanding work of reductionism and minimalism. martin brandlmyar ( radian / trapist / kapitalband 1 ), werner dafeldecker ( polwechsel, david sylvian, autistic daughters) and christian fennesz ( touch / mego / thrill jockey ) on this record created a new kind of cool jazz coupled with a big portion of new york school ( cage, feldman, brown und wolff). its hard to describe the music with words. this work reveals his secrets only after listening to it a couple of times. it grows with each time you listen to it. in this work, silence and noise are never used as an end in itself. as equal parameters they stand in the composition that also has space for some tonal >flower<. our recommended listening time is – round about midnight.

red earth records presents a new six-track ep. responding to popular demand, the title track >we re not leaving< is here presented in a radio-edit version (side 1, track 1), after having been released in an extended version last year on 7 inch vinyl. this will be plugged on uk radio this summer combined with a uk and european tour, preceding the release of the new soothsayers album in september.

scott grooves presents the journey 2012: this is not just a normal reissue as you would expect coming from mr. grooves. the original version has been sonically enhanced and remastered. the b-side now has a kickless mix along with a atmospheric acapella - an updated edition to a now classic detroit anthem

its been a long time coming but house sound is back with its fourth release. nicholas label brings together five emerging talents for a huge 12 inch release. mat chiavaroli and massimo di lina take care of the a side with two low down deep house grooves. the b-side is a funky affair with tracks from jordan peak, bubbin dub and yuri shulgin. absolute killer!

limited reissue of a very rare and highly in-demand 1986 12 inch from indian ocean, alias of late great disco legend and sleeping bag founder arthur russell. although russells original version on side a is fantastic in itself, the stunning abstract walter gibbons mix on side b is where its all at. with irrepressible madcap gibbons at the helm, the track mutates into a strangely subversive dancefloor odyssey way ahead of its time which still sounds futuristic today. with a raw sparse experimental sound, this progressive sonic journey rolls along for over 10 minutes pulsating with a jazz-influenced interplay of funk-heavy bongos, stabbing synths, off-the-wall vocals and russells trademark cello. one of the great moments to come out of the vibrant art/disco not disco crossover scene of 80s new york - dont miss your chance to bag a vinyl copy of this obscure gem.